Key Terms and Key Thinkers in Semiotic

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Key terms in semiotic theory and their applications in print media analysis

Semiotics is a complex academic field and a sub-discipline in its own right in cultural analysis


Anchorage - (Does exactly what the name suggests) it fixes meaning. In print media texts,                                        anchorage consists of lexical codes which firmly establish the connection between an                          image and the reason it has been used. They might appear as slogans, copy, headlines                          or captions accompanying an image. This can add value to the use of the image and                              maximize its impact.

Arbitrary (or symbolic sign) - A sign that does not have an obvious connection with what it                                                                 represents, but whose meaning is agreed on by users of a particular                                                       code. Saussure referred to these types of sign as symbolic. Many                                                           road signs can be regarded as symbolic if you have to have read the                                                       Highway Code to understand what they mean.

Arbitrary Relationship - a relationship between signifier and signified which is not obvious(e.g. the                                            word ‘cat’ in the Roman alphabet and our mental image of the animal)

CodeA system used to create meaning. Most forms of meaning production have specific codes,                    frameworks which are used to encode meaning. It is vital that codes are shared and their                      meanings agreed upon across a culture, or they cannot be decoded. Where these are limited to              a specific mode of expression in media productions or forms, they are referred to collectively              as technical codes. The various kinds of code used in print media analysis are described in                  more detail in the technical codes and features used in print media texts.

Connotation - The meaning evoked by a sign (what it makes us think.) It can be thought of as the                               end result of reading a sign, the mental image we have of its meaning

Critical Theory - an approach to the study of culture which considers how various forces are at                                        work in its production

Decoding - When audiences interpret a text, in order to make meaning

Denotation - Can be understood as the literal meaning of a component of a code. You can also use                            the term as a verb, saying that an element of an image denotes (but be careful). The                              term is easily confused with connotes, which you would more commonly be using in                            meaningful semiotic analysis rather than description

Encoding - The process of creating particular intended meanings within a text

Iconic Sign - Looks like what it is representing. A portrait photograph is a good example of an                                  iconic sign. Symbols such as the ‘danger of death’ sign you see on the side of an                                  electrical substation are also iconic (they show someone being struck by a bolt of                                  electricity, looking very much like the physical manifestation of electricity as lightning)

Indexical Sign - Has a relationship between the signifier and signified which could be described as                               causal or otherwise linked. The relationship between the two things is so widely                                   recognised by users of the signification system that the indexical sign easily stands                               in for, or signifies, the concept it represents. Commonly used examples are smoke,                               which is an indexical sign of fire, a tear which suggests sorrow, footprints which                                   suggest someone was in a place

Linguistics - the study of structural aspects of language, with many subspecialisms

Myth - This term is closely associated with Roland Barthes. A myth in critical theory is the way in                which certain signs contribute to ideologies in our society. Myth is particularly helpful to                    print advertisers in promoting values that are consumerist and materialist in nature

Post Structuralism - later work on structuralism which both extends its ideas and critiques its                                               approach

Second Order Of Signification - a layered and more subtle interpretation of a complex sign

Semiology - Saussure’s term for the study of signs, which he regarded as a science

Sign - This is the  sum of the signifier plus signified. Most print media texts can be referred to as                   complex signs, since they often comprise many individual elements and codes which need to               be decoded in order to understand fully what they represent

Signified - When we say that a particular message is signified, we are using it as a verb – it can also                       be used as a noun – the signified, the meaning that is intended

Signifier - Works in tandem with the signified, and together these combine into a sign. We
                  consider signifier and signified to work together, because the association happens so fast                      when we read a text.

Structuralism - a way of analysing culture which prioritises its form structure over function                                           according to codified systems


Third Order Of Signification - the relationship between the first and second orders of signification                                                       and myths and ideology

Triadic Model - common term used for Peirce’s description of how we read signs


Key Thinkers

Ferdinand de Saussure (1857–1913) - Swiss structural linguist often credited along with Peirce                                                                        with the founding of semiotic theory as we know it today.

Charles Peirce (1839–1914) - American multidisciplinary academic who contributed to the field of                                                      semiotic theory from his broad background as a mathematician,                                                              philosopher and communication theorist



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